Peter Schjeldahl: Why Frank Stella Mattered
Since 1959, when, as a recent Princeton graduate, Frank Stella stunned the art world with big, symmetrical bands of black enamel pin-striped by lines of unpainted canvas, he has belonged to New York art as Rockefeller Center belongs to the city’s architecture—glamorously stern, built to last. He went on to invent several styles, notably that […]
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